Phasenmensch – Entschleunigungsprozesse [Vernunft und Leidenschaft]
PHASENMENSCH
Entschleunigungsprozesse [Vernunft und Leidenschaft] cd
HANDS D212 Hands Paper Pack 13 euro
Does the idea of passionate thinking leave you startled? PHASENMENSCH picks up the concept of his earlier work “Begegnungen” (=encounters) on his sophomore release for HANDS, a result of difficult, eventful changes in the social environment, yielding excitingly controversial situations. Musically, “Entschleunigungsprozesse” is an impressively mature, antithetic work: Full of emotional atmospheres, yet strict in composition, decidedly rhythmic, yet avoiding any harshness, highly melancholic, yet fuelled by positivity – a gentle and thoughtful piece of electronic music.
On “Entschleunigungsprozesse”, Wolfram Bange aka Phasenmensch takes his clues from a philosophical concept (again): The central question is how to retain your originality and not deny your nature under society’s crushing pressure of conformance? How can you find time to actually think during the hastening of modern life? Important people come and go, alliances are formed and broken up, tears are shed and mistakes are made. Understand this as your chance to improve, and the potential is endless – just leave enough space to explore your true feelings, and the outlook is bright!
“Entschleunigungsprozesse” may well be seen as a vehicle to escape the agitation of the outside world. For starters, “Vernunft und Leidenschaft” will set the mood with its gloomy intro, breaking into uplifting minimal rhythms. Everything appears integrally connected, from the quiet sophistication of “Alles verschwindet”, “Sommerregen” or “Vom Nein zum Ja” over the technoid leanings of the collaborative tracks with with Constructor and ICD-10 to the more industrial beats of “Heilige Momente” or “Funkenflug”.
No less than three tracks feature Wolfram’s good friend Ophelia the Suffering, adding guitar and sounds to the brooding “Rost und Knochen”, as well as adding some rhythmic distortion to “Optimierte Gegenwart” as Ecstasphere and remixing “Vernunft und Leidenschaft” as Aphexia, adding aggrieved string sounds. The last word goes to HANDS label mate Hezzel, using gently distorted bass drones for his remix.
The 73 minutes of “Entschleunigungsprozesse” are a meaningful timeout as well as a much recommended electronic music album – reason and passion in an unknown alliance!
www.handsproductions.com/mailorder.asp
https://mailorder.ant-zen.com/product/id/2530;jsessionid=560BDEBD3C65FAF5714BDF592205A471
http://phasenmensch.bandcamp.com
http://www.infrarot.de/phasenmensch/entschleunigungsprozesse-vernunft-und-leidenschaft/9944590
Favorites, Discoveries and Rediscoveries of 2013
As this rollercoaster of a year is slowly coming to an end, I started reflecting on my favorite albums of the last twelve months. Looking back I must say that this was a really good year musicwise and since I started expanding my vinyl collection again from January on, I have given music an even bigger space in my life than it already had before. I rediscovered the dispositif of mindful listening and loved diving into those different worlds of sound again and again, letting my thoughts stray and meditate. This helped me even further with learning to be alone with myself, which is a demanding thing to do and to accept and I now seem to manage quite well. I needed to decelerate everything a bit and realized that deceleration sometimes might be more important than always trying to accelerate and having the fear of missing something. In deceleration lies focus and focus helps us to reach the core of a matter, it’s what the mind is all about for me and I just can’t keep consuming like crazy because I feel that we lose respect for certain matters, if we just percieve them on „fast forward“ to be able to move to the next product and try not to miss anything. Trying not to miss anything is just an illusion anyway, it’s fighting a loosing battle and tilting against windmills. But not to bother you anymore with my train of thought. Here are – in alphabetical order – the releases of this year that really got my attention and seemed well worth my time.
Twenty personal darlings of 2013:
Apparat – Krieg und Frieden (Mute)
It’s impressive that this is one of the rare soundtracks that manages to keep it’s impact even without the accompanying performance. Apparat really is an impressive artist and has come a long way since his first release. The way elements of noise, post-rock and classical instruments are tied together feels bold and elaborated and almost effortless. This one gives me pleasant goosebumps everytime.
New Album – Krieg und Frieden (Music for Theatre) – Out Feb 2013
Cervello Elettronico – Anima Meccanica (Hands)
I can’t deny that I am a sucker for those more technoid styles and this album more than delivers. It’s pumping rhythmic structures are combined with some very psychedelic sounds and it’s dark yet energetic atmosphere never becomes tiring. There is much to be discovered here and it works on and beyond the dancefloor almost flawlessly.
http://handsproductions.com/Artists.asp?A_index=67
Diaphane – Lifeforms (Ant-Zen)
The first album by Diaphane for me was an unexpected surprise and became one of my favorites in 2010. In 2013 Diaphane rewards our patience with an absolutely stunning sonic assault that without any doubt plays in the first league of contemporary electronic music. It’s deep, diverse, powerful, sometimes introverted and then all of the sudden outbursting and raw.
http://ant-zen.bandcamp.com/album/lifeforms
Field Rotation – The Fatalist: Repetition of History (Denovali)
This one is probably one of the most melancholic albums that I’ve heard this year and I mean that in a good way, since the kind of melancholy this album constructs has something very warm and poetic to it. It’s not unnecessarily overwhelming the listener with it’s emotion and doesn’t seem pretentious at all, it kindly invites it’s listener into a world of introspection and opens up the potential for an interesting dialogue. This one should be enjoyed in solitude with a good glass of wine and some flickering candles.
http://www.denovali.com/fieldrotation/
Forest Swords – Engravings (Tri-Angle)
Tri-Angle have proven that they have a good way to keep their specific handwriting without being boring or monotone. This album perfectly suits this label and yet enhanches the „Tri-Angle“ formula yet again. It’s lo-fi style and sample work creates a beautiful and engaging atmosphere with an oldschool vibe that reminds me of those good old days when trip-hop was on the rise.
http://tri-anglerecords.com/?p=684
Greg Haines – Where we were (Denovali)
Greg Haines changes his direction with his latest album and delivers a concept piece that engages you from the first minute. This change isn’t really surprising since he seems to be able to make gold out of everything he touches. „Where we were“ is a very tightly put together album that keeps a very good arc of tension and playfully switches between different styles.
http://denovali.com/greghaines/
Haxan Cloak, The – Excavation (Tri-Angle)
Unbelievably dark and scary! This one really has to be experienced on high volume and in a dark room all by yourself. The Haxan Cloak is propably the best canvas for your worst nightmares. Open yourself up and take a look into the abyss.
http://tri-anglerecords.com/?p=403
Huron – The other Side of Reality (Raumklang Music)
Altough his style reminds me of „Access to Arasaka“ it still offers a handwriting with a very unique touch and being compared with one of the greatest is only meant as a compliment. The soundscapes are complex and tense and I can’t deny that I more than admire the way he approaches working with sounds. Complex rhythms, a dystopian, urban atmosphere with a lot of emotion and an almost introverted feel.
http://raumklangmusic.bandcamp.com/album/the-other-side-of-reality
Lustmord – The Word as Power (Blackest ever Black)
This is a release by Lustmord that just really hit the spot for me. There is a lot to discover in these tracks and any fan of well produced ambient music and droning sounds should give this one a listen. Lustmord’s reputation is justified within the scene and I think that there is no need to say more.
http://blackesteverblack.bigcartel.com/product/lustmord-i-the-word-as-power-i-blackestlp004-2xlp
Machine Code – Under the Sun (Subsistenz)
Sometimes there is the need for some more straightforward and danceable material and Machine Code delivers just that without being to repetitive or stale. This is one of those albums that although it seems to aim more in direction of the dancefloor also has a lot of substance and really shows the wide spectrum of this amazing producer.
http://subdivisionmedia.bandcamp.com/album/under-the-sun
Miles – Faint Hearted (Modern Love)
Oh „Modern Love“ you keep suprising me and so far managed to earn lots of my love. This one is a record that combines industrial and techno elements in a very elaborated way. It reminded me a bit of Orphx’s „Vita Meditativa“ and that probably says all that needs to be said.
http://www.modern-love.co.uk/releases/miles-faint-hearted
Moderat – II (Monkeytown Records)
The first album by Moderat had some material that I really enjoyed very much but didn’t really work as an album for me. „II“ changes that and delivers a more homogenic yet still very experimental experience that combines the signature sounds of Modeselektor and Apparat to produce something new and very enjoyable without hiding the individual roots of the artists.
http://www.monkeytownrecords.com/releases/view/82/monkeytown035-36-ii
Nils Frahm – Spaces (Erased Tapes)
One word: „Says“! The opening track of Frahm’s new record blew me away completely and this different approach to the concept of a live-album is bold and beautiful in it’s entirety.
http://www.erasedtapes.com/store/index/ERATP055
Piano Interrupted – The unified Field (Denovali)
Jazz meets IDM on a playground of emotions. „The unified Field“ for me seems to be another step forward for Piano Interrupted and concentrates on the essence of their specific sounds. It’s moving and playful yet complex and academic.
http://denovali.com/pianointerrupted/
Seirom – 1973 (Aurora Borealis)
Technically this one was already released in 2012 but it’s vinyl release was in 2013 so I am lucky there. Seirom reminds me of some of Tim Hecker’s best work and nonetheless stands on it’s own. It doesn’t rely on this parallel and is an unspeakably beautiful and rich in variety with a lot of complex texture and unbelievable climaxes throughout it’s impressive running time of over ninety minutes.
http://auroraborealisrecordings.bandcamp.com/album/1973
Shorai – Interference (Hands)
I am willing to welcome our new robot masters and embrace the reign of the machines if this is their language. Shorai again delivers an amazing album that expands on his trademark style and delivers another step up in remarkable quality!
http://handsproductions.com/Artists.asp?A_index=24
Sigur Rós – Kveikur (XL Recordings)
Although I never was a die hard fan of this icelandic cult band, I enjoyed most of their output very much. ‚Kveikur‘ for me seems like one of their more darker albums and that might be why it really stuck with me. There actually are some elements that could have been taken from the genre of power electronics and those are combined with the typical epic post-rock feel that we have come to love by this band.
http://www.discogs.com/Sigur-R%C3%B3s-Kveikur/master/566165
Tim Hecker – Virgins (Kranky)
Since the press already covered in detail why Hecker’s new record is amazing there isn’t much more that I could add to that. „Virgins“ is or seems much more organic than his previous work, it’s even more demanding and voluminous. Hecker knows what he is doing and not afraid to try something new without losing his core. This one takes time and attention but is so rewarding if you’re willful to give it some of your precious concentration.
http://www.discogs.com/Tim-Hecker-Virgins/release/4947077
Witxes – A Fabric of Believes (Denovali)
This one seems to have come directly from the dark ages to put a captivating spell on you. This record builds tension in an excellent way and really takes it’s time to let go. It’s aggressive, sometimes dreamy, brooding and most important it’s rewarding!
http://witxes.bandcamp.com/album/a-fabric-of-beliefs
Xabec – Closing the Circle (Self-Released)
It’s really sad to see Xabec go but he’s leaving on a high note and his upcoming project Silent Walls already looks and sounds promising! This one is a release with a lot of heart and effort that combines everything that made Xabec an astonishing and diverse act that managed to blow me away since I’ve first seen them live.
http://xabec.bandcamp.com/album/closing-the-circle-2
Discoveries / Rediscoveries / Always worth listening to:
A winged Victory for the Sullen – A winged Victory for the Sullen (Kranky)
Amon Tobin – Supermodified (Ninja Tune)
Bersarin Quartett – II (Denovali)
Caspian – Waking Season (Triple Crown Records)
Flying Lotus – Cosmogramma (Warp)
Godspeed you! Black Emperor – ‚Alleluja! Don’t bend! Ascend! (Constellation)
Massive Attack – Mezzanine (Virgin)
Max Richter – Songs from before (130701)
Tim Hecker – Harmony in Ultraviolet (Kranky)
Year of no Light – Ausserwelt (Music Fear Satan)
Year of no Light – Vampyr (Music Fear Satan)
Phasenmensch – Inferno aus Sand [Official Video]
Konzept / Nachbearbeitung
Wolfram Bange
Cosima Caspelherr
Musik:
Phasenmensch – Inferno aus Sand [Tagebuch eines Eremiten]
PHASENMENSCH – Tagebuch eines Eremiten – cd HANDS D193
PHASENMENSCH joins the HANDS roster with a deliberately genre-defying album that covers the entire range from ambience over downbeats, Industrial sounds and uptempo dancefloor smashers (both broken and straight) to noise. „Tagebuch eines Eremiten“ features remixes and collaborations by NEEDLE SHARING, PHILIPP MÜNCH and many more. It is held together by a knack for atmosphere, providing a pleasant and coherent listening experience — so feel free to browse through the pages of the hermit’s diary!
http://www.handsproductions.com/mailorder.asp
http://phasenmensch.bandcamp.com/
20 Albums that turned out to be great personal companions this year … (no specific order)
This year has been a pretty wild one. Rough and stressful many times, creative, happy and totally silly many other times. I’ve taken some very important steps in my life in the last twelve months and I am at the moment working on finally finishing my exams and bringing the whole Phasenmensch project to the next level. I am eager to see whats about to happen in 2013 and also think that 2012 has been a very strong year music wise. These following records have kept me going and turned out to be great companions while I was trying to go my way … Since tomorrow I have my final exam in philosophy, I’ll just let this list speak for itself furthermore:
Heathered Peals – Loyal (Ghostly International)
http://www.discogs.com/Heathered-Pearls-Loyal/release/4102062
Willits + Sakamoto – Ancient Future (Ghostly International)
http://www.discogs.com/master/459565?text=Willits-Sakamoto-Ancient-Future
Bitcrush – Collapse (n5MD)
http://www.discogs.com/Bitcrush-Collapse/release/3918220
Bvdub – Serenity (Darla Records)
http://www.discogs.com/Bvdub-Serenity/master/481495
Dirk Geiger – Elf Morgen (Tympanik Audio)
http://www.discogs.com/Dirk-Geiger-Elf-Morgen/release/3647657
http://tympanikaudio.bandcamp.com/album/elf-morgen
Lights out Asia – Hy-Brasil (n5MD)
http://www.discogs.com/Lights-Out-Asia-Hy-Brasil/master/438494
Displacer – Foundation (Hymen Records)
http://www.discogs.com/Displacer-Foundation/master/489632
http://hymen-records.bandcamp.com/album/foundation
Oyaarss – Bads / Smaida Greizi Nākamība (Ad Noiseam)
http://www.discogs.com/Oyaarss-Bads/release/3475568
http://www.discogs.com/Oyaarss-Smaida-Greizi-N%C4%81kam%C4%ABba/release/3989912
100blumen – Distrust Authority (Ant-Zen)
http://www.discogs.com/100blumen-Distrust-Authority/release/3814039
http://ant-zen.bandcamp.com/album/distrust-authority
Talvekoidik – Negotiate the Distance (Hands)
http://www.discogs.com/Talvekoidik-Negotiate-The-Distance/release/3511005
Sonic Area – Music for Ghosts (Ant-Zen)
http://www.discogs.com/Sonic-Area-Music-For-Ghosts/release/3468099
http://ant-zen.bandcamp.com/album/music-for-ghosts
SaturmZlide – BeVor (Hands)
http://www.discogs.com/SaturmZlide-BeVor/release/3558843
https://soundcloud.com/alexander-marco/saturmzlide-bevor-album
Sylvgheist Maëlström – Skaftafell (Hands)
http://www.discogs.com/Sylvgheist-Ma%C3%ABlstr%C3%B6m-Skaftafell/release/3580004
http://www.myspace.com/sylvgheistmaelstrom
Crisopa – Biodance (n5MD)
http://www.discogs.com/Crisopa-Biodance/release/3630747
Various – Accretion (Tympanik Audio)
http://www.discogs.com/Various-Accretion/release/4082485
http://tympanikaudio.bandcamp.com/
The Outside Agency – The Dogs are listening (Ad Noiseam)
http://www.discogs.com/Outside-Agency-The-Dogs-Are-Listening/master/489617
Mark Harris – An Idea of North / Learning to walk (n5MD)
http://n5md.com/discography/195/An-Idea-of-north–Learning-to-walk
Wes Willenbring – Weapons Reference Manual (Hidden Shoal Recordings)
http://www.discogs.com/Wes-Willenbring-Weapons-Reference-Manual/release/3519786
Andy Stott – Luxury Problems (Modern Love)
http://www.discogs.com/Andy-Stott-Luxury-Problems/release/3979910
https://soundcloud.com/modernlove/sets/andy-stott-luxury-problems
Phasenmensch – 31.08.2012 Live in Düsseldorf
Tagebuch eines Eremiten
Phasenmensch – Friedlich. Freudlos. Endgültig neutral
Ein neuer Phasenmensch-Track der kommenden Veröffentlichung.
Für alle, die es etwas straighter und härter mögen.
Mastering: Henning Hinck
Neues Phasenmensch-Artwork
Characters at War – Der Sturz [Weg ins Freie]
Characters at War – Der Sturz [Weg ins Freie]
Regie und Drehbuch: Wolfram Bange
Konzept, Schnitt und Musik: Characters at War
Assistenz: Chris Arnold
Kamera: Christoph Grothe
Darsteller: Anna Sosnik, Marc Philips
Characters at War:
Phasenmensch
Ophelia Amok
Sebastian Vogel
Phasenmensch wünscht frohe Weihachten!
Seit ein paar Tagen findet ihr mein Projekt auch auf bandcamp.com und im Rahmen des Lebkuchenfests gibt es eine kostenlose Phasenmensch-Veröffentlichung als freien Download!
Ein frohes Fest euch allen!
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Fremdkörper [Amok 354] 05:46
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Niemals aufgeben [Ketamachine Remix] 03:49
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Niemals aufgeben [Nirvan’s air mix] 06:23
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Erlöse uns von dem Bösen 04:53
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Der Tod trägt schwarzes Leder 04:54
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Döppersberg [feat. Martin Dreher] 04:30
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Der letzte Mensch 06:40
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Verrückte Welt 05:00
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Sphäre des Verborgenen 05:20
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Hundstage [broken] 05:46
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Kampfgeist 05:55
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- Previously unreleased and unmastered material taken from sessions of ‚Begegnungen‘ (2010) and ‚Die Welt erfriert‘ (2011). Re-Release of some tracks taken from ‚Der letzte Mensch‘ (2009) and ‚Schweigen‘ (2009).
- Written, arranged and designed by Wolfram Bange
- Remixes by Ketamachine and Nirvan
- Track 6 ‚Döppersberg‘ featuring Martin Dreher